French Montana and the Coke Boys hit the road, documenting their Bad Boy behavior while on Drake’s “Club Paradise” tour. After rocking the Verizon Wireless Amphitheater, French mixes up the perfect batch of lean before joining Drizzy onstage for a raucous rendition of “Stay Schemin’.”
It’s a gritty look at the underbelly of Pittsburgh as Chevy Woods narrates the trailer for his upcoming mixtape Gangland. The Taylor Gang general describes his personal journey and shares inspiring words in the Dan Folger-directed visual, dodging the police while taking us from the streets to the studio.
Bow Wow and his collaborator T-Pain take us behind the scenes of the video for “Better,” one of two new singles from Bow’s upcoming Cash Money debut Underrated.
Adam Levine digs for some pocket change in the video for “Payphone,” the first single off Maroon 5′s upcoming album Overexposed, due June 25. Working as a personal banker, Adam transforms into a knight in shining armor as he narrowly escapes a bank heist with his love interest before leading police on a climactic car chase through the desert, while Wiz Khalifa huddles around a makeshift fire and raps from underneath the dusty overpass.
All Jon Connor needs is one stage, one mic, and a spotlight in the epic video for “Someone Like Me,” a cut off his 2011 mixtape Season 2. Solo performance shots are intercut with live footage as well as a glimpse into the Flint, Michigan rapper’s writing and recording process.
Drake had a surprise for the sold-out crowd in Concord, Ca, bringing fellow Canadian artist The Weeknd out to perform their collaborative cut “Crew Love.” After seemingly appearing out of nowhere, the enigmatic crooner was nearly drowned out by ecstatic fans as an elated Drizzy danced onstage with his OVOXO comrade during the second leg of his “Club Paradise” tour.
Meek Mill shares his experiences on the road in the first vlog documenting his travels as part of the “Club Paradise” tour. After thanking Drake for the opportunity, the MMG rapper shares some footage of performances by himself, Waka Flocka, and 2 Chainz at the Verizon Wireless Amphitheater before being invited back to the stage by Drizzy to perform “Ima Boss” for the packed crowd.
Mary J. Blige stresses about a troubled relationship in the video for “Why,” the latest single off her 2011 album My Life II… The Journey Continues (Act I). After another sleepless night, Mary ventures out into the night, making her way to an extravagant gala attended by a dapper Rick Ross. After a few Belvedere cocktails, the first lady of R&B and Rozay share center stage, performing as white confetti rains down from the ceiling.
Swizz Beatz dominates urban nightlife in the video for “Street Knock,” his collaboration with A$AP Rocky off his upcoming EP Life After the Party. The prolific producer cruises through the damp and desolate city streets in his custom Lotus as Pretty Flacko pledges allegiance to all things trill in the neon visual, which features cameos from Jadakiss and Allen Iverson.
Kid Ink hangs out on the wrong side of the tracks in the video for “Neva Gave a Fuck,” a cut off his debut album Up & Away, dropping June 12. Kicking it at various abandoned lots and warehouses, as well as under a bridge occupied by police officers, the West Coast rapper spits his bars while members of his crew ride horses and tear up the city streets on ATVs.
Machine Gun Kelly reflects on his dreams in the video for “Chasing Pavements,” a cut off his 2011 mixtape RagePack. Gazing out of a jet window, MGK takes time to reassure himself that he’s made the proper career choices.
Meek Mill assumes the throne in the dark video for the opening cut from his new mixtape Dreamchasers 2. After an intro clip of a vintage Mike Tyson interview, the MMG rapper is seen in a desolate warehouse, spitting his raps like a man possessed while sitting comfortably in an ornate, oversized chair.
Big K.R.I.T. receives a hero’s homecoming in the video for “I Got This,” the first single from his debut album Live From the Underground, due June 5. The Mississippi MC invites us to ride shotgun in his old-school whip, displaying his southern hospitality and giving a personal tour of his hometown.